The same is a set track to show the process 'intervene through some way' I through a number of ways and medium involved in the metaphysical arguments and allegories of the first track 'Simpleness Acoustic', those are also multiple sphere recording.The sound is always in the sphere, the double listening of an acquisition after the recording, at this time the body behavior is isolated, listen to the natural results. there is only one point, at this point wait and see the jouissance back then. Delez said: no one has yet determined what the body can do, and later they do not know what the body can do.To become a BwO, it is necessary to resolve the body of the stratification, the body, and the composition and around it Those who are dense, inhuman, and bio-transcendence material, re-release the body, let it be able to accept the new connection and assembly, to find those who can do the countless things, beyond the body of organism, because The body of the organism just can be done by the habit of a customized and limited set of actions.The reality of the entity and the ill-ambiguous relationship between the body, the body can be anything, he also wrote: it can be an animal, a sound system, a brain or thought, a linguistic corpus, a society, a collective.Whether it is virtual space or real sphere, the Liberation of time and affirmation of all things, to some extent it is agreed with the equalization media and BwO, physical behavior, human, non-human Are attributed to the existence of an energy, the vibrating particles, as described by Deleuze 'Baroque house': the monad room without doors and windows, but through the five sensory holes, the room has a floating tent, through its folds, monad room can express the universe to some extent.The difference between frequent and slow, marked minutes and seconds, ready-made, lumphtogether, two vibes, physical behavior, body; a plane, vast mesh.
If what is just a simple strip of wood attached to string can inflate itself to the cosmic dimensions of flatulent gods then its supposed evolutionary position somewhere to the furthest far west of the piano becomes reversible, the piano a regression or retreat back into the cave of resonances, too timid to venture into a vibrating, respirational and unsystematic open air populated by shit eaters, excreta hawks and farting gods —David Toop
released December 6, 2017
Becoming-intense, Becoming-Animal, Becoming-Imperceptible....
If possible, a shy Live may occur next door, a physical behavior is not avoided, with the body playing the instrument and with multiple fingers click touchpad and knob, the latter which may be more inflated, serious sit and fiddle In front of the instrument back and forth. the hands of the cooperation facilitate a new dance mode, an instrument's physical experience is fantastic, the original prosthetic, is beyond the human body vibration potential or a catalyst exists, it is always Will be like talking, in the first time as much as possible to accurately show what you want to show things, like listening to jaap blonk things
jaapblonk.bandcamp.com/album/six-sound-poems-by-hugo-ball
The rush of the mouth, including the head, chest, abdomen, the entire large and delicate cavity, in the muscle tissue and a variety of mucous membrane with the conclusion of the body into the instrument.This seems to be inconsistent with Deleuze's BwO, and my theory of 'anxiety', is simply a well-structured, sophisticated with the isolation of the entity, it is always blocked an escape route; perfect organism; subject to habits and muscles Memory; in (Undesirable Vibes [Phisycs \ Emotion], saxophone bad vibration and unstable human voice - through the over-peak of the loudspeakers came out, gossip, at a certain moment the sound is surprising Overwhelming, later keep a short silence.
Ring me alarm and not a sound is dying
ring me alarm and not a sound is su erin’. . . . Watch de sound man a-tremble
Watch de sound man a-pray.
—Tenor Saw, “Ring De Alarm”
Vocal folds, that the potential of infinite vibrations like the reed, reed and the wind chest facilitate the acoustic action of the saxophone, bad vibration is always looking for an escape route, get rid of the muscle memory will break away from self-emergency response of skill caused by physical violations, The classical musical notes and constant tempo of my mind are transformed into the electric shock of the neuron after embedding my subconscious, and finally presents the 'pattern reaction' on my skin-gooseflesh, which is a nauseating, skin orgasm? Is it for self-protection? The rejection of the immune system (organs)? Or that is a kind of sound of the sound of the sound, the skin of the spasm itself is a wonderful vibration, the public occasion to speak when the tongue of the spasm. These bad vibrations are caused by escaping outside the system, or that I am walking along the escape route in experimental performance,
and why the daily training - also known as experimentation can be so charming opposite a serious gaze, the subject is not It seems jitteriness and speculative foreclosure, speculation; at the moment of the 'solution domain' is based on a tense but full of productivity on the basis.now showing the soundtrack, into the second consumption, and its Reproduction is in the amateur community. The vibration is not good or bad, and some only in the context of the ontology of the metaphysical stalemate, embarrassing, let the 'effect' (Deleuze context) to rescue, then, previously mentioned 'shy Live' And skin orgasm, in the end, it is embarrassing emotions? Or Deleuze's 'effect'?
(canned city), the field recording track nearly an hour from the streets of Shanghai. it is a kind of physical behavior that has dispelled charm, the most critical hand behavior dispelled the charm, only at this moment, this Is a pair of the main reason why these hands eligible to conform to the body, afterwards, I added a 'corpus' effect to this field recording through audio modulation software, simulating a similar effect recording in a jar. This poor production was completely lazy. the communicate of these ready-mades like two feet wearing a completely different shoes, in the postmodern context, it is embarrassing.
In the contemporary context, the boundary is blurred, approaches fusion,(2 Vibes \ ready-made \ Lumphtogether \ In-between), a juxtaposition, China's most popular melody, and the production of purely physical activity - sound, And the former in the consumption, the latter in the efficient production and ready to be consumed. this part of the track, initial name is " to foreigners", taking into account the geopolitics, that is the real two Vibes.
In the 19th track, you will hear the tape collage of the concrete music, which is filled with a variety of ready-made products, composed of montage narrative, the Live of the vocal narrative will make you think that this is the foreground sound and that is the background Music, background music naturally eliminates the difference between " music", "sound", "noise", they are equal to the composition of the material, its own properties and labels are losing efficacy,and it goes beyond the border between a celebration Of the jouissance of sonic physicality and the semiotic signicance of its symbolic composition or content.
Duchamp and John Cage also opened up a ready-made market, the production became efficient and full of postmodern means, and Bourgeois's class aesthetics was always Celebrate the Jouissance, after the detune，
Voices monolog URL in Audio appears
www.furmary-label.org/single-post/2017/01/31/劇本公開
Personal web URL
www.furmary-label.org
